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Modern entertainment doesn't stop when the credits roll. We are living in the age of the and Transmedia Storytelling . A popular media franchise today often spans across: Feature Films Limited Series Video Games Podcasts and AR Experiences

For decades, popular media was a one-way street. You sat in a theater, watched a broadcast, or read a magazine. Today, the landscape is defined by .

Entertainment content and popular media are the mirrors of our society. They reflect our collective fears, hopes, and curiosities. Whether it’s a 15-second viral dance or a 10-part prestige drama, the media we consume defines the "now." As technology continues to evolve, the way we tell stories will change, but our fundamental human need for connection through entertainment will remain the same.

Shows like Squid Game (South Korea) or Money Heist (Spain) have proven that language is no longer a barrier to becoming a global phenomenon. Entertainment content is increasingly reflecting a multi-faceted world, allowing audiences to see themselves represented in stories that were previously gatekept by traditional studios. Transmedia Storytelling: Worlds Beyond the Screen

From the rise of short-form video to the "peak TV" era of streaming, here is an exploration of how entertainment content and popular media are evolving and why they matter more than ever. The Shift from Passive Consumption to Active Participation

One of the most significant shifts in popular media is the push for . As streaming services expand worldwide, content is no longer Western-centric.

We no longer wait a week for a new episode. We consume entire seasons in a weekend.

The Streaming Revolution and the Death of the "Watercooler Moment"

While we have more choices, the "watercooler moment"—where everyone watches the same show at the same time—is becoming rarer, replaced by viral social media trends that peak and fade within days. The Power of Representation and Global Media

Algorithms allow platforms to serve highly specific content to niche audiences, ensuring that there is "something for everyone."

Maksimovskaia L.N.

Kafedra stomatologii obshcheĭ praktiki FPDO GBOU VPO "Moskovskiĭ gosudarstvennyĭ mediko-stomatologicheskiĭ universitet" Minzdravsotsrazvitiia Rossii

Krutov V.A.

GBOU VPO 'Moskovskij gosudarstvennyj mediko-stomatologicheskij universitet im. A.I. Evdokimova' Minzdrava Rossii, Rossijskaja Federatsija

Kuprin P.V.

GBOU VPO 'Moskovskij gosudarstvennyj mediko-stomatologicheskij universitet im. A.I. Evdokimova' Minzdrava Rossii, Rossijskaja Federatsija

Kuprina M.A.

GBOU VPO 'Moskovskij gosudarstvennyj mediko-stomatologicheskij universitet im. A.I. Evdokimova' Minzdrava Rossii, Rossijskaja Federatsija

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Direct restoration of the tooth crown using various core build-up materials

Authors:

Maksimovskaia L.N., Krutov V.A., Kuprin P.V., Kuprina M.A.

More about the authors

Journal: Stomatology. 2017;96(1): 33‑39

Read: 3112 times


To cite this article:

Maksimovskaia LN, Krutov VA, Kuprin PV, Kuprina MA. Direct restoration of the tooth crown using various core build-up materials. Stomatology. 2017;96(1):33‑39. (In Russ.)
https://doi.org/10.17116/stomat201796133-39

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