: Most of the story unfolds six years earlier at the Whitestone Institute , a secluded retreat designed for artists to explore their "wild and innocent" sensuality in an open environment.
Taboo VII remains a curious entry for series enthusiasts. By abandoning the forbidden family dynamics that defined Taboo I-VI , the film alienated fans who expected the franchise's "prime directive" of incest-driven plots. Critics on Letterboxd have described it as a "pornographic soap opera," noting its bizarre musical sequences and shift toward a softer, more romantic tone.
Are you interested in how this film's compares to the more controversial earlier entries in the Taboo series? Taboo VII: The Wild and the Innocent (Video 1989) - IMDb : Most of the story unfolds six years
Released in 1989, represents a unique and somewhat polarizing chapter in the legendary Taboo film series. Directed by the series' creator, Kirdy Stevens , this seventh installment famously departed from the franchise's signature focus on incest-themed drama, opting instead for a more romantic, art-centered narrative. Production and Background
: Portrays the lead, Ben Brookfield, even performing a musical number titled "Return to Romance". Lysa Thatcher : Plays the female lead, Emily. Herschel Savage : Featured as the antagonistic poet Lenny. Critics on Letterboxd have described it as a
The film utilizes a flashback structure, framed by a chance encounter between poet Ben Brookfield (Randy West) and his lost love Emily (Lysa Thatcher) at a book signing.
The film features several of the biggest names in the "Golden Age" of adult cinema: Directed by the series' creator, Kirdy Stevens ,
: Ben Brookfield serves as the poet-in-residence, contrasted against the abrasive, foul-mouthed "Beat poet" Lenny (Herschel Savage). The central romantic arc follows Ben's budding relationship with Emily, a resident sculptress.
